The woman in black book main characters
Literary critics rarely use this last term, preferring to talk of the "narrator". But when it comes to hauntings this traditional description is fitting. Arthur Kipps is giving us a tale that he is condemned by his own memories to tell. When the novella opens, he is a man in late middle age, surrounded by adult stepchildren at Christmas.SEE VIDEO BY TOPIC: The Woman in Black Ending
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Literary critics rarely use this last term, preferring to talk of the "narrator". But when it comes to hauntings this traditional description is fitting. Arthur Kipps is giving us a tale that he is condemned by his own memories to tell. When the novella opens, he is a man in late middle age, surrounded by adult stepchildren at Christmas. Naturally they begin to tell ghost stories: Christmas is the time for this, when the year is darkest and family or friends are gathered together to be entertained.
For the classic ghost story is a performance. Some of the best ghost stories — The Turn of the Screw is the most famous example — begin with this situation: a person telling a story to a group of rapt listeners. The master of the ghost story, the Cambridge don MR James , used to read his latest compositions out loud to friends before publishing them. Most ghost stories are novellas or short stories, so that they might be fitted into a single, uninterrupted reading.
Arthur is too darkly haunted by the story that he has in his head to join in the family game. The story has to be told, but must be difficult to tell. A ghost comes back from the past, and so does a ghost story. In the opening of this narrative the storyteller talks of coming out "from under the long shadow cast by the events of the past".
At its end, the storyteller has managed a difficult task. Thus the book's terse concluding sentences: "They asked for my story. I have told it. Or you could think that it shows him still possessed by the fears that the story has re-awakened. As a young man, Arthur, then a junior solicitor in a London law firm, was sent to the remote town of Crythin Gifford to sort out the papers of a recently dead client of the firm, Mrs Alice Drablow.
Of course she had lived in a gloomy mansion — Eel Marsh House — cut off from the village by a causeway that is only passable at low tide.
Of course the locals are fearful of the place and yet highly reluctant to talk of their fears. Readers will recognise some of the conventional properties of this highly conventional form: the art of the author is to turn our expectations into apprehension.
Arthur the storyteller recalls his own youthful scepticism — "I did not believe in ghosts" — but we know that the person who tells the story has been made to think differently. In a time-honoured generic pattern, this ghost story throws a particular light on the storyteller, asking us to notice not just what happens in his narrative, but what has happened to him.
He confesses near the opening of his tale that "for many years now" his spirits have been "excessively affected by the ways of the weather". Something has happened to him, we infer, to produce this "susceptibility". It is another way back into the past. For in the story that he eventually tells, the weather will be a disturbingly active element. In the story, the much younger Arthur stumbles after the truth of the narrative into which he has been thrust.
What has happened in this house? What terrible events are recorded in Mrs Drablow's chaotic papers? In a crucial episode, this stumbling is literal: roused in the night by a child's cry, he finds himself desperately fumbling after a candle when all the lights in Eel Marsh House go out.
But the real fumbling is that of the storyteller recalling the episode; we experience the drama in the present, as he tries to understand his experiences. He remembers how, in the dark, empty nursery of the house, he felt something worse than terror. Only at the very end will we find the meaning of this. The proper telling of the story depends upon narrative suppression.
As we near the conclusion, Arthur recalls his departure from Crythin Gifford and re-enters his hopeful past self. Book club Books. The Woman in Black by Susan Hill.
Susan Hill. John Mullan. Published on Fri 3 Feb T his is a ghost story, so we start with the storyteller.
The Woman in Black Character List
The Woman in Black. Plot Summary. Bentley Mr. Jerome Keckwick.
In the play, Kips enlists the assistance of an actor to help tell the unsettling things he witnessed. Daniel Radcliffe famously starred in a Hollywood film adaptation of the novel in , taking on the role of Arthur Kipps. A sequel, Angel of Death, was released in based on a different short story by Susan Hill. Despite the success of the book and the films, there is no substitution for seeing the spine-tingling horrors of The Woman in Black live, on-stage. Arthur Kipps , a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the house's sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows.
The Woman in Black
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These notes were contributed by members of the GradeSaver community. Arthur Kipps is a protagonist of the horror novella. He is a solicitor who works for Mr. Before the arrival to Crythin Gifford, he is a devoted father and a husband, who loves and holds in high esteem his own family.
The Woman in Black is a horror novel by Susan Hill , written in the style of a traditional Gothic novel. The plot concerns a mysterious spectre that haunts a small English town. A television film based on the story, also called The Woman in Black , was produced in , with a screenplay by Nigel Kneale. In , a theatrical film adaptation of the same name was released, starring Daniel Radcliffe.
The Woman in Black Characters
Arthur Kipps, a junior solicitor, is summoned to attend the funeral Mrs Alice Drablow, the house's sole inhabitant of Eel Marsh House, unaware of the tragic secrets which lie hidden behind the shuttered windows. The house stands at the end of a causeway, wreathed in fog and mystery, but it is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black - and her terrible purpose. I don't know if it was because of the hype of the book, or Susan Hill's atmospheric descriptions, but The Woman in Black was giving me goosebumps from the start.
The character of Jennet Humfrye appears throughout the story as a ghost: a woman in black. Every time she is seen, a child in the village dies. We learn from Samuel Daily that she is the ghost of Jennet Humfrye, a young woman who had a baby out of wedlock. This was not socially acceptable during Edwardian times. When her child dies in an accident on the Nine Lives Causeway, Jennet is distraught, and afterwards she haunts the people of Crythin Gifford in revenge. Every time she is seen, a child in the village dies, either in an accident or from the sudden onset of illness.
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Arthur is the main character and the narrator. In the first and last chapters we see him as a man approaching old age. The youthful Arthur Kipps is a privileged, well-educated, ambitious, adventurous, impatient, arrogant, brave and foolhardy. Therefore allowing the reader to identify with the character. After the death of Stella and his baby he is a broken man. Samuel Daily is a big, beefy local business man in Crythin Gifford.
The Woman in Black is a stage play , adapted by Stephen Mallatratt. The play is based on the book of the same name by English author Susan Hill. It is notable for only having three actors perform the whole play.
A young solicitor travels to a remote village where he discovers the vengeful ghost of a scorned woman is terrorizing the locals. In London, solicitor Arthur Kipps still grieves over the death of his beloved wife Stella on the delivery of their son Joseph four years before. His employer gives him a last chance to keep his job, and he is assigned to travel to the remote village of Crythin Gifford to examine the documentation of the Eel Marsh House that belonged to the recently deceased Mrs. Arthur befriends Daily on the train and the man offers a ride to him to the Gifford Arms inn.
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