The woman in white walter hartright
If the machinery of the Law could be depended on to fathom every case of suspicion, and to conduct every process of inquiry, with moderate assistance only from the lubricating influences of oil of gold, the events which fill these pages might have claimed their share of the public attention in a Court of justice. But the Law is still, in certain inevitable cases, the pre-engaged servant of the long purse; and the story is left to be told, for the first time, in this place. My sister Sarah, with all the advantages of youth, was, strangely enough, less pliable. But the idea of absolute insanity which we all associate with the very name of an Asylum, had, I can honestly declare, never occurred to me, in connection with her.SEE VIDEO BY TOPIC: The Woman in White (V - VI (Walter Hartright)) [AudioBook]
The Woman in White
A drawing teacher, aged twenty-eight, Walter Hartright is from a middle-class background. However, Walter is not financially well-off and is living in rather strained circumstances. He is out of work at the beginning of the novel, and only secured a position as a drawing teacher under the recommendation of his Italian friend Pesco.
Walter is the embodiment of the typical Victorian middle-class man. He is brave, industrious, truthful, diligent, resourceful, kind-hearted, and possesses a high degree of integrity. In the story, he acts as the male protector of the weak and self-effacing Laura. Walter is the narrator and the editor of the story. His role as the main narrator of the story gives him an important position in the storytelling of this novel. An exceptionally beautiful twenty-year-old heiress.
She is the main heroine of the story who undergoes many trials and tribulations before achieving happiness at the end. Laura is the typical damsel in distress figure. In the story, she endures unhappiness, heartbreak, imprisonment, poison, physical abuse, the loss of her legal identity and her social position.
Laura is an orphan who lives under the guardianship of her invalid uncle Frederick Fairlie. She also lives in the company of her half-sister Marian. Laura Fairlie embodies the qualities and the virtues of a Victorian upper-class lady.
She is kind-hearted, truthful and obedient. Her facial features are delicate and soft, her demeanor quiet and unassuming, and her bearing is always dignified and graceful. Laura is an accomplished musician and is fond of painting. Her penchant for white dresses, flowers and music turns her into a living symbol of docility, beauty and grace, which are highly prized female characteristics in the Victorian era. She is incapable of defending her interests without the protection of Walter, Marian and her lawyer.
Laura falls in love with her drawing teacher but is compelled to marry the middle-aged baronet Sir Percival Glyde. After her marriage, Laura is completely under the control of her husband and his co-conspirator Fosco and her happiness and vitality are completely destroyed by her unhappy marriage.
She is unable to resist the evil devices of her enemies without the protection of Marian and Walter. She is drugged by Fosco and is incarcerated in an asylum under the name of Anne Catherick. She briefly loses her wits under the influence of drugs and incarceration. Laura eventually regains her social position after the evil plots of her enemies are overturned. Marian and Laura are contrasting characters.
Laura is beautiful, artistically talented, self-effacing and weak; while Marian is physically plain, strong-willed, resolute, brave and strong. Marian possesses a beautiful feminine form but has very masculine facial features.
Unlike the wealthy Laura, Marian has no fortune of her own, and displays little inclination to get married. Marian challenges the Victorian gender expectation which requires women to be meek and compliant towards men. Marian is not only a powerful woman, she is often described as being more powerful than many of the male characters. Her bravery and intelligence are such that even her arch enemy Fosco is impressed by her. He completely fails in his obligations as Laura's guardian and protector.
He is totally blind and indifferent to the fact that Sir Percival only wants to marry Laura out of mercenary motives. Frederick Fairlie is an extremely selfish, self-absorbed man. He is portrayed as a useless invalid who is a bundle of nerves.
He is effeminate and cannot withstand any external stimuli and shock. He is extremely sensitive to sound, light and physical exertion. He is wealthy and has amassed a huge collection of paintings and artwork. He has taste in artwork and hires Walter to instruct his nieces in sketching. Overall, he is a caricature of the wealthy upper-class man whose only ability lays in his appreciation of the aesthetic. Through his character, Collins pokes fun at the idle Victorian aristocrats who are obsessed with aesthetics, but are incapable of any useful labor and socially-productive activity.
At the end of the novel, Frederick Fairle dies, and his property passes on to Laura, Walter, and their newborn son. Anne Catherick is the mysterious "woman in white" whom Walter meets in the middle of the night at the beginning of the novel. She always dresses from head to toe in white clothing. Anne is the most pitiable character of the story. Unloved by her mother, fleeing from the persecution of Percival and suffering from a fatal heart illness, Anne has endured great hardship in her short life.
As Walter observes, the mark of unhappiness and suffering is deeply stamped in her face. Fairlie was extremely kind and attentive to Anne, and gave her a white dress.
Anne resolves to always wear white as a token of gratitude and affection towards Mrs. Anne is described by many people as being mentally underdeveloped and queer in her conduct. But as Walter Hartright observes, there is nothing wild and deranged in her demeanor. Anne suffers from a heart disease and dies while attempting to visit Laura in London.
She was once an extremely beautiful woman. Jane is a vain, strong-willed, ambitious woman who lusts after riches and luxury. She embodies the image of the scheming, unscrupulous social climber of the Victorian era. She takes great delight in the expensive gifts which rich men showered on her. The readers only know that the late Mr. Fairlie was her lover, but it is possible that Jane had other rich lovers in her life. Sir Percival succeeds in bribing her to obtain the key to the church registrar, because her husband was a church official.
Her husband abandons her after he wrongly suspects Percival to be her lover. Percival pays Mrs. Catherick a handsome annuity, which enables her to live in dignity and comfort. She takes great pride in her social position and the fact that even the clergyman bows to her. He is the lesser villain in comparison to Fosco. Percival is not shy about committing crimes, but he lacks the sophisticated criminal skills of Fosco.
He relies on Fosco to plot and execute his evil schemes. Percival is the illegitimate child of the late Sir Percival and a woman of low rank. Percival is heartless, brutal, unscrupulous and completely without human compassion. He marries Laura out of purely mercenary motives and treats her in a disgraceful manner after the marriage by subjecting her to physical abuse, poisoning and imprisonment.
He is the embodiment of the scheming illegitimate child who craves wealth and social position. His mistreatment of Laura sheds light on the mistreatment and abuses of women during the Victorian era.
Percival is also an accomplished dissembler. He assumes the most pleasing manners during his courtship with Laura. Both Laura and Marian are deceived by his dissembling facade. Percival tries to destroy the faked marriage record by fire, and is burnt to death in the flames. His death frees Laura from this horrible marriage and enables her to marry her true love.
He is an Italian exile, who was a member of an Italian secret organization dedicated to destroying tyranny and oppression. Fosco was unfaithful to the organization and fled abroad to escape persecution by it.
He lives in constant fear of being assassinated by a member of this organization. Fosco has Napoleonic features and is extremely fat. He is a brilliant villain and a fascinating character. He is intelligent, cultured, worldly, sophisticated, well-travelled and well versed in different languages and culture.
He is skillful in the use of poison, and is responsible for drugging Laura. He is a consummate dissembler who assumes the most pleasing manners, such that even the perceptive Marian is briefly blinded to his real character. Fosco holds English morality in contempt and considers himself to be free from the restriction of English bourgeois morality.
He is the embodiment of the culturally sophisticated but morally dubious European, who stands in sharp contrast to the virtuous English gentleman such as Walter Hartright. Fosco is assassinated by a member of the secret Italian organization at the end of the novel. An Italian who makes a living by teaching Italian in England. He is high-spirited and carefree. Pesca was saved from drowning by Walter and becomes his best friend.
At the start of the novel, Pesca secures for Walter a teaching position in Limmeridge House. Pesca is also a high-ranking member of the Italian secret organization. However, she is completely tamed by her husband Fosco and becomes a compliant woman who is unconditionally devoted to her husband. She is entitled to inherit ten thousand pounds should Laura fail to produce an heir.
Clements is deeply devoted to Anne and sympathizes deeply with her misfortune and suffering. Clements takes great pain to protect Anne and keep her safe from Percival's persecution. Gilmore is the solicitor for the Failie family.
Meet the cast of BBC Victorian thriller The Woman in White
A drawing teacher, aged twenty-eight, Walter Hartright is from a middle-class background. However, Walter is not financially well-off and is living in rather strained circumstances. He is out of work at the beginning of the novel, and only secured a position as a drawing teacher under the recommendation of his Italian friend Pesco. Walter is the embodiment of the typical Victorian middle-class man. He is brave, industrious, truthful, diligent, resourceful, kind-hearted, and possesses a high degree of integrity.
The Woman in White Character List
Walter is blown away by the free-spirited nature of Marian and Laura. Had you read the book by Wilkie Collins before reading the script? I was taken aback by just how enthralling the novel is - there is a cliff hanger at the end of almost every chapter! The fact that the villain of our story is a patriarchal male acting with impunity seems especially relevant today. Walter is a painter, but painting or sketching has never quite been my strong suit, so the prospect of playing an artist was a little daunting! I would never have been able to go from complete novice to accomplished artist in the limited timeframe we had, so for me it was more about understanding the nature of an artist and the lens through which he sees the world. To Walter, everyone or everything is a subject. I rarely wear anything other than trackies so wearing Victorian costume every day for three months was definitely a change of style! It gives you an appreciation for the effort that the Victorians had to go through every morning.
Walter Hartright in The Woman in White
Sensation fiction thus fused the Gothic romance with the Realist novel, finding horrors not in some fantastical Medieval castle, but behind the doors of apparently normal suburban semi-detached houses, where secrets festered and multiplied. Usage terms Public Domain. This was an updated complaint long held against Gothic novels. The world was becoming debilitated by the shocks and collisions of modernity. He is a man prepared to plot actual murder to retain his hold on the cash and also to keep his own desperate secret secure.
By Eleanor Bley Griffiths. Walter is kind and sensitive his surname is even Hartright, so you know his heart is in the right place. He immediately forms a bond with his two pupils Marian and Laura, and becomes fascinated with a mysterious figure called The Woman in White.