Tag Archives: The Cure

LIVE: The Twilight Sad, Doug Fir Lounge, Portland, OR

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By Hollister Dixon

A little over a year ago, a strange thing happened: The Cure, the unbeatable godfathers of poppy goth brilliance, covered “There’s a Girl in the Corner,” the opening track for The Twilight Sad‘s 2014 album Nobody Wants to Be Here and Nobody Wants to Leave. While The Cure didn’t break apart the song in a way that transformed the song into something wholly unlike the original, their cover of “Girl” was a weird moment of game respecting game. For nearly a decade, The Twilight Sad have built an identity around loud, breathtaking, masterfully-done sadness rock, operating as the missing link between the songwriting chops of Arab Strap and the near-deafening sonicscapes of Mogwai. They’re an “If it ain’t broke, don’t fix it” band, where every release serves only to tighten their core aesthetic, rather than radically alter it. As such, despite their debut album Fourteen Autumns and Fifteen Winters being their most complete sounding record, they’ve done nothing but get better as songwriters and musicians since then.

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Sasquatch! Music Festival 2016: The Zack Perry Report

 

 

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The Gorge Amphitheater at Dusk // Credit: Zack Perry

By Zack Perry // All Photos by Zack Perry

Author’s Note: While this began as an outline for a piece that was going to be much more conventional and formal, I realized that this outline encapsulated the energy of Sasquatch better than any conventional write-up. Sasquatch is a festival of such incredible magnitude that the magic all blurs together – everything that winds up standing out is just a moment in time. Sasquatch is just this 5 day stretch of time threaded together by one incredible moment after another, there really is no conventional way to capture it. I don’t claim or pretend to believe that the way I recount my experience is the “proper” way to do it, I just believe it’s the one that best suits me. So, please, enjoy.

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